Feeds:
Posts
Comments

PS

I have a new blog! If you have been subscribing to this one (tracyrich.wordpress.com), this is the last post. Please switch to the similar but different tracyrichdesign.wordpress.com

You can also check out my new website at www.tracyrichdesign.com

 

 

52. Kiss

Crikey, my final post on this blog! 52 entries come around quick. It’s been a full year since I started this student exercise and now it’s time to graduate: me as a designer and my blog as a new, ‘professionally’ orientated one. It’s a strange time to transition. I’m still part way through my Europe trip and I won’t receive my final mark until October but I must move on to starting my own business as a professional landscape designer. The decision to kiss my perfectly good job goodbye and train for a new, creative career was a scary/crazy/amazing one. It’s been a challenging but very exciting year and I can’t wait to see what happens next. Better wait a month or so until I get it all up and running but then please check out my forthcoming website tracyrichdesign.com for a link to my new blog and a tale or two of other European gardens. Well, I guess that’s it! It’s been fun having you along for the ride and thanks so much for reading! XoXo

51. Light

While in the Netherlands we visit De Hoge Veluwe National Park. This isn’t too far from Piet and Anja Oudolf’s nursery in Hummelo and, as we cycle around the park on our free white bicycles, I wonder if the native grasslands and wildflowers of the park directly influenced Piet’s naturalistic planting style. We end up at the Kröller-Müller museum and spend most of the day wandering around its enormous and wonderful sculpture park. Again, influence for the Dutch-born Hannah Peschar’s sculpture garden in Surrey?

We manage to fit in two other parks/gardens this week. First, Tiergarten in Berlin. I enjoy strolling though its light woods on my way to see three of Berlin’s super fabulous art museums: Kunstgewerbemuseum -Decorative Arts (strangely I was the only visitor for over an hour but it’s v good, honest) Gemäldegalerie – Old Master Paintings (lots of brown paintings; consider appropriate shoe wear – mine squeaked embarrassingly loudly on the wooden floors) and the Neue Nationalgalerie – Modern Art (housed in an uber-stylish black-on-black Mies van der Rohe building).

Then in Prague we walk through the Royal Gardens (Královská zahrada). Pleasant enough and they do have a funky high-tech stainless steel Orangery that must have cost a pretty penny. More interesting is an evening tour of the Municipal House (Obecní dům). It’s a restored Art Nouveau building in the centre of Prague decorated by significant Czech artists. Absolutely exquisite craftsmanship. I take note of some lovely designs that could be used for garden screens or paving. Finally a good post-garden tip: Kozel dark beer.

50. Zoom

Following a bit of a lengthy to-do with my printer, I manage to post my final project, the Soft Landscape Portfolio, the day before I zoom off on holiday. My in-laws have ever-so-kindly given me eurail tickets as a graduation present and I am to spend the next month with them in ‘Yurp’. I cunningly sneak a fair few gardens into the jam-packed itinerary, which essentially involves going to Greece and back.

The first garden I drag everyone to is Het Loo in the Netherlands. It’s a formal 17th century garden with many different types of parterre and splooshy fountains. Despite my slight aversion to all things clipped, we all really enjoy strolling around – probably helped by the warm, sunny day. But also because the layout is such a cohesive, tidy tapestry where the shapes and colours work really well. After a previous overnight in Haarlem, where we are seduced by roof gardens and grapevines shading brick alleys, we all decide we want to be Dutch.

49. Busy

I attend my first regional meeting of the Society of Garden Designers at Stirling’s Macrobert. They are a friendly and welcoming bunch and meet for a few hours once a month – mainly for a bit of therapy and a chat in the guise of professional interest. Working at home can be lonely at times and it’ll be great to meet up with other designers – even if they are officially the ‘competition’. Half the folk seem to go to the Edinburgh group as well as the Central Scotland one as they live close to both and like both groups. I may just do this too; I’m crazy-busy now but am anticipating lots of free time in the coming months! As well as the chat we have a tips and tricks talk by local landscape photographer Paul Holloway. He hikes up and down mountains and waits hours for just the right light. Check out the super photos on his website.

48. Impression

A bit of culture in Auld Reekie this week. Sheltering from the rain at Edinburgh Botanic I chance upon an exhibit by Joan Mitchell. She was one of the few women Abstract Expressionists and I totally fall in love with her colourful blobs and squiggles on enormous canvases. Perhaps because I’d spent the last few weeks immersed in plant portfolios, her work immediately looks to me like planting schemes! She was greatly influenced by nature and the emotions it produces. Really good with colour combinations. She even intuitively assigned a colour to each letter of the alphabet. ‘A’ is green of course.

I then pay top dollar to see the Impressionist Gardens exhibit at the Royal Scottish Academy. Most of the works are pleasant but a bit dull – crowd pleasers for the annual Edinburgh Festival in August. But a few fab highlights are: Sargent’s The Luxembourg Gardens at Twilight, Curran’s Lotus Lilies and a couple of works by Klimt. You can see some here, though its always more impressive when you see paintings in person. By examining the paintings I discovered that private gardens a few hundred years ago were slightly messy and full of enormous quantities of pots and cabbages.

47. Hot

My sister and her family arrive and we all decamp to my parents’ house in Dunkeld for the week. Some of the days are fantastically sunny and hot and I can’t bear to be inside working on the computer. Instead, I spend a lot of time building some walls for a two-level terrace on a steep bank that makes a quarter-curve around the house’s main patio. I need to get it ready for a delivery of 16 tons of topsoil. Though I drive even my Dad (who’s an Engineer) a bit mad insisting on measuring and re-measuring to get a mathematically accurate curve, we now love it! Very Greek Theatre. We spend a lot of time just sitting and admiring the dirty walls and bare soil and wondering if we can host plays. Now I just have to do a planting plan for the terrace beds that relies on cheap/free plants for my parents’ dwindling budget. Er…no problem.

46. Colour

The Colour Portfolio is proving to be a lot of work but really enjoyable. I’m learning so much about plants and good combinations, though it’s still hard to know what the plants would actually look like together from photos. We’re allowed to use Google Images instead of our own photos for the Colour Portfolio but some of the images suggest wildly different shades for the same plant depending on the time of day the photo was taken and probably a lot of editing after the fact. I need a trip to a good nursery where I can see the plants together in real life. Are these flowers the same reds or is one a purple-red and one a clashy orange-red? Are the leaves bright green or a blue-grey?

I think a lot about one of my A-level Art teachers who spent her spare time obsessively creating colour charts. These were enormous sheets of paper painted a mid-grey with about 100 squares in a matrix. One axis would be, say, yellow and one blue. Each square would have a different proportion of each colour with a third, like white, added to complicate things and complete the matrix. They were strangely beautiful things on the classroom walls but very complex. We didn’t get very far ourselves after spending an entire lesson trying to produce an exact mid-grey.

45. Seasonal

It’s not all shows and schmoozing for me this summer. My main task is to complete our final class assignment which needs to be submitted 1 September. This is the Soft Landscaping project consisting of two plant portfolios: seasonal and colour. We’ve been taking photos for the seasonal one throughout the year. For each of the four seasons we need photos of four good plant groupings we’ve seen while visiting gardens. The 16 group photos are supplemented by an individual photo of each plant in the group (there needs to be at least four in each group) plus an extra five companion plants as additions to each group. Each of these needs a description of height, soil type, origin etc.

The colour portfolio has similar requirements but instead of a group photo we need to do a planting plan and instead of the seasons we have 10 colour combinations (e.g. blue and yellow) for both sunny and shade. And these 20 combinations need six plants each. Crumbs!

I tackle the seasonal portfolio first. I set up a template in Open Office and quickly realise I need 16 separate files as the high-res photos make documents sloooow and crashy when you put too many in. I also quickly give up on the equally crashy RHS Plant Selector and turn instead to Shoot to find out the information I need for the plant descriptions. The only thing missing from both the RHS and Shoot sites is the plant’s origin so I have to do a different, and sometimes lengthy, google search for this. I’d like to say I’m learning a lot about plants though this project but it’s just a frantic copy and paste exercise at the moment. Maybe it’ll all fall into place when I have time to actually look through my own portfolio.

Meanwhile, those following my tweets will know that I’m spending quite a bit of time in the garden eating the summer fruits of Troy’s labour.

44. Network

‘We’ get a Silver-Gilt medal for the Tatton Park garden and joint second place for Young Designer of the Year. Although not Gold, a result that Olivia and her team of OCGD elves are very proud of. The press and RHS are raving about the amazingly high standard produced by all three youngsters and you can judge for yourself here (click on each garden picture to see a 360 virtual tour).

To distract myself from Tatton’s nail-biting competition, I’m getting down to business. Scottish Enterprise runs Business Gateway, which is an information service for businesses in Scotland similar to Business Link in England. Among other things it runs free workshops which take you through the process of starting up your own business. I attend two in Edinburgh this week and plan to blitz through a bunch more in August. The information in these first few basic workshops is pretty…basic but it’s a really good excuse for me to get out of the house and start networking with people. I must get business cards sorted soon as there’s a surprising bit of garden design interest from other attendees already.

Older Posts »

Follow

Get every new post delivered to your Inbox.